The Style Council had its last Top Ten single with It Didn’t Matter in January 1987. His scathing criticisms of racism, unemployment, Margaret Thatcher and sexism sat uneasily beside his burgeoning obsession with high culture and continental style.Īs his pretensions increased, the number of hits The Style Council had decreased, and by the end of the decade, the group was barely able to crack the British Top 40 and Weller had turned from a hero into a has-been. Weller’s lyrics were typically earnest, but his leftist political leanings became more pronounced. With The Style Council, the underlying intellectual pretensions that ran throughout Weller’s music came to the forefront, and although the music was rooted in American R&B and soul, it was performed slickly – complete with layers of synthesizers and drum machines – and filtered through European styles and attitudes. A live album, Home and Abroad, was released in the spring of 1986 – it peaked at #8. The single was taken from their Our Favourite Shop LP, which reached #1 on the UK charts (the album was released as Internationalists in the US). In the summer of 1985, The Style Council had another UK Top Ten hit with Walls Come Tumbling Down. My Ever Changing Moods became their first American hit, peaking at #29. While it was musically all over the map, it was their most successful album, peaking at #5 in the UK and #56 in the US. Two months later, a re-sequenced version of the record, re-titled My Ever Changing Moods, was released in America.Ĭafe Bleu was Weller’s most stylistically ambitious album to date, drawing from jazz, soul, rap and pop. The Style Council released their first full-length album, Cafe Bleu, in March 1984. Solid Bond in Your Heart became another hit in November, peaking at #11. Three months later, The Money-Go-Round peaked at #11 on the charts as the group was recording an EP, Paris, which appeared in August. Not all Weller’s fan were delighted by his new enthusiasm for tailoring, jazz and cappuccino, however, and at the group’s second live appearance – a CND festival at South London’s Brockwell Park on 7 May – they were pelted with mud. Released in March 1983, The Style Council’s first single, Speak Like A Child, became an immediate hit, reaching #4 on the British charts. Other musicians were added according to what kind of music the duo was performing. People will have to learn to expect nothing and I’ll give as much in return as possible”. “He shares a hatred of the rock myth and rock culture. “It’s just me and Mick,” he revealed (‘Mick’ being ex- Merton Parkas and Dexy’s Midnight Runners organist Mick Talbot). Horrific glimpses of animal slaughter reveal the cruelty man can unleash upon creatures lower on the food-chain, and authentic autopsy footage indulges our morbid curiosities about our final stop on the way to the grave.After calling time on The Jam – arguably the most successful band in Britain at the time – Paul Weller unveiled his new group, The Style Council, on 19 February 1983. Weller wanted to incorporate more elements of soul, R&B, and jazz into his songwriting. Gross as our guide, we bear witness to death in its many forms - even visiting a debauched death cult that mixes the ecstasy of sex with the sweet release of that final moment. From airplane crashes to railway disasters, some of us meet a spectacular end while others fall prey to hungry wildlife predators, an assassin's bullet, or - as in the case of some condemned prisoners - get strapped into the electric chair and blasted into the afterlife with over 2000 volts of pure electricity. There's simply no escape from the encroaching darkness, and in this film we're offered a firsthand glimpse at the many ways that life can end. Everybody dies - it's the fate we all face from the moment we're born. Francis Gross (Michael Carr) leads viewers on a guided exploration of that fateful moment when the spark of life is brutally snuffed out. Experience the ultimate in cinematic shock and horror as Dr.
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